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Anton Toorell's second solo album, Solos II, deepens and intensifies the six-string language introduced on his 2022 debut, Solos. Rather than widening his scope, the Swedish guitarist, composer and producer sharpens his focus, homing in on the physical and sonic relationship between player, instrument and tuning. The result is three extended pieces of cascading tonality that feel disciplined yet light, their conceptual frameworks always secondary to the luminous sounds Toorell draws from two guitars.Throughout Solos II, Toorell explores both the guitar's potential for silvery, sometimes clashing textures and his own physical engagement with the instrument. Across 'Volta', 'Cripta' and 'Scala', he plays two guitars simultaneously: one fretted with the left hand using hammer-ons and pull-offs, while the right hand activates mostly open strings on a guitar resting in his lap. Despite the inherent complexity of this approach, the music never feels busy or demonstrative. Technique remains a quiet servant to Toorell's compositional instincts and improvisational sensitivity.The album leaves space for unplanned resonances and happy accidents, yet it's structures are clear, resilient and finely balanced. The seventeen-minute 'Volta' unfolds as a shimmering continuum, it's repeated figures gently reshaped through minute inflections, creating a sensation of constant motion. 'Cripta' spirals inward, cycling hypnotically in a way that recalls both Terry Riley's iterative minimalism and the hallucinatory guitar loops of early Seefeel.With the closing 'Scala', the recording environment comes fully into view. Captured in a 16th-century wine cellar at Palazzo Stabile in Piemonte, Italy, the room functions as a guiding presence and an implicit third instrument. 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Captured in the spring of 2003, the Lyon-based collective condensed years of experimentation into an 11-track journey that redefines what live dub can be. A moment in their evolutionSince their formation in 1997, High Tone have stood at the crossroads of dub, electronic music, rock, and urban culture. With Jarring Effects as their home base, they built a reputation for transforming the stage into a laboratory - a place where basslines mutate, beats deconstruct, and every frequency breathes.High Tone Live draws from four key releases - Low Tone, Opus Incertum, Bass Température and ADN - Acid Dub Nucleik - revisiting them through the raw energy of the stage. Classics like \"Dehli Katmandou\" and \"Enter the Dragon\" are stretched, twisted, and reborn in extended, improvisational forms. Two unreleased tracks, \"112 Dub\" and \"Onew Dub,\" complete the set, adding a dose of fresh material to a disc that feels both retrospective and forward-looking. Why this live record mattersPlenty of live albums simply document a band's tour. High Tone Live goes further - it captures the group's alchemy in real time. You can feel the tension between precision and chaos, structure and freedom. The dub elements - delay, echo, reverb - act less as production tricks and more as instruments in their own right. Every layer, every drop, is alive.At a time when the French dub scene was carving it's own identity, High Tone offered something distinctly theirs: electronic, cinematic, and fiercely independent. The sound is heavier, more immediate than in the studio. It breathes, it sweats, it moves. Not flawless - and that's the pointAs with any live recording, there are rough edges: the mix shifts, some moments feel caught mid-explosion. But that's the beauty of High Tone Live. 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The UK-based duo, consisting of Alex Headford and Diva Jeffery, now has roughly 30 songs that are a collective myriad of immersive soundscapes. Jadu Heart's 'Wanderflower' was a project released as part of a school project at The British and Irish Modern Music Institute in 2016. Diva described the project as a 'story of two characters - Dina and Faro - who get cursed in a temple [and] every song [in 'Wanderflower'] corresponds to a different chapter in their story.' Their tutor sent the EP to Mura Masa who immediately took a liking to the duo and made them an opening act for his album release show. They were subsequently signed to his label and given the same manager.The couple's sophomore EP, 'Ezra's Garden', is a continuation of Jadu Heart's now-signature DIY, psych-funk sound inspired by Jai Paul. The tracks are accompanied by a visual component on YouTube, as Spotify hadn't quite explored the necessity of visualizers yet. 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